Category: The Evil -ism’s

This is why I hardly read blogs anymore

tekanji

In the past year the amount of (feminist) blogs that I read regularly, or even on an occasional basis, has shrunk to fit on one hand. Literally, aside from keeping up with Iris, the only blogs I regularly read are Hoyden About Town, The Border House, Geek Feminism, Sociological Images, and Shakesville. That’s it. There are a few more that I’ll browse when I’ve already read everything on the above blogs.

Until today, Tiger Beatdown was on the latter list. Now, the writing style of the blog has always rubbed me a bit the wrong way because of how easy it is to cross the line from pointed sarcastic critique to being just plain mean. The posts I had read had seemed to be careful to keep it pointedly sarcastic, though, so I figured I’d stick to a casual readership until I had reason not to. Continue reading

New post at Better by Design

tekanji

Just posting here to let everyone know that I’ve written a post about sexism in Stardock’s new game Elemental: War of Magic over at Better by Design: Stardock’s Elemental and what it says about the state of games

Here’s an excerpt:

The Unit Design chooses facial features (eyes, face shape, skin color, etc) randomly, but allows you to customize unit weapons, armor, equipment, clothing, and hair… but not sex. Yes, you heard me: the Unit Design function does not enable you to choose the sex of your units. At least not by default. It turns out that only races who choose the Egalitarian bonus (at the cost of one point) are able to have both male and female units. The campaign faction is not egalitarian; in fact, only the Kingdom of Tarth is. So, breaking down the makeup of the default factions: only 1 out of 10 of the factions (10% of the total factions) allows for the creation of female units, while 90% (9 factions) force male unit creation, and 0% (0 factions) force female unit creation.

Update on AmazonFail

tekanji

First off, it has been noted that the de-ranking wasn’t limited to GLBT issues and erotica, but also notably affected books on disability and sexuality as well as feminist books, books on sexuality, and books on topics such as suicide prevention and rape.

In terms of the massive PR fail that has been going on, Amazon went from the vague and not very credible “glitch” explanation to this:

This is an embarrassing and ham-fisted cataloging error for a company that prides itself on offering complete selection.

It has been misreported that the issue was limited to Gay & Lesbian themed titles – in fact, it impacted 57,310 books in a number of broad categories such as Health, Mind & Body, Reproductive & Sexual Medicine, and Erotica. This problem impacted books not just in the United States but globally. It affected not just sales rank but also had the effect of removing the books from Amazon’s main product search.

Many books have now been fixed and we’re in the process of fixing the remainder as quickly as possible, and we intend to implement new measures to make this kind of accident less likely to occur in the future.

Here are some good posts that point out the flaws with Amazon’s explanation:
This Is Not A Glitch, #amazonfail
Seattle PI has new #amazonfail statement
Amazon’s censorship sparks angry protests
Amazon Rep: This was not a “glitch”
Amazon Is Embarrassed By “Ham-Fisted Cataloging Error”

There’s also the disconcerting parallel between the pattern of the feature/glitch/whatever showing up on books from smaller presses first and only after some time has passed does it start showing up on books where people are likely to notice. As Lilith Saintcrow explains:

Now. Do you remember the Amazon POD fiasco? Cliffs Notes version: Amazon tried to take over a significant chunk of the print-on-demand industry by quietly removing “buy” buttons from small-press POD publishers who didn’t use Amazon’s POD service. The buttons would come back–if you switched to Amazon’s POD service, in essence giving them a bigger cut. It was greed pure and simple, and they started it with smaller presses and only backed off when there was a bit of a hullabaloo and larger presses (who still use POD technology) banded together to tell Amazon where to stick it.

We have the same pattern with AmazonFail. First very small press/authors are targeted, probably to gauge how big of a stink they’ll raise. If Amazon is not convinced the outcry will outweigh the (perhaps perceived) profits, it slowly mounts until Amazon has captured what it wants. The fact that Amazon has shot itself in the foot with this does not mean it wasn’t a deliberate step taken with another end in mind.

We also need to examine the implications behind Amazon having paid someone money to code this feature — regardless of whether this incident was a policy, a “glitch”, a mistake or whatever. Patrick does this in his post Amazonfail & The Cost of Freedom:

Think for a second about what Amazon did here. In the world of ecommerce, the search is king. Almost everybody who shops online visits a site to find a specific product. By intentionally obscuring and manipulating the search results of your site, you are making a clear statement: We don’t want you to read these books. I can tell you from experience that if something is difficult to find through a search, it will not sell. Not only was this a suspicious action on Amazon’s part, it had the potential to be very “successful” (ie, it would’ve greatly decreased the sales of those titles).

After quoting the above, Lilith Saintcrow responds with:

Exactly. This powerful weapon was created FOR A REASON. No company spends money on a tool that powerful that they don’t intend on using. A huge squawk over it being used improperly one time will not stop it from being used improperly in the future as soon as the hubbub dies down–but greater choice in Internet suppliers might.

In terms of how I’m feeling about the issue, Amazon isn’t getting my money even if it does offer an apology. I feel pretty much the way that are pretty much summed up in Kelley Eskridge’s take on Amazonfail from a managerial perspective:

Amazon is perceived right now as everything from deeply clueless to desperately stonewalling to deliberately deceptive. And of all the errors you can make as a manager, this is the worst — to communicate in a way that distances people even further. Amazon will never fully regain credibility with many of its customers, and they have no one to blame but themselves. They gave a generic “Daddy’s working on it” answer to a deeply divisive situation; they communicated “at” stakeholders instead of directly to them, on their own online turf; and they have so far refused to engage with the notion that people aren’t just curious or concerned, they are offended.

Lilith Saintcrow’s amazonfail-related entries is probably the most comprehensive breakdown I’ve seen yet and I would highly recommend reading through all of them.

Amazon censors women and queer people

tekanji

So, I’m sure everyone has heard by now, but Amazon has recently made the decision to remove the sales rankings of so-called “adult” books in order to ensure that they don’t show up in some searches (like the default search) and bestseller lists.

Their rationale? The censoring books primarily written by and for queer people (and, in the case of erotica, some non-queer women as well) was done “[i]n consideration of our entire customer base”:

“In consideration of our entire customer base, we exclude “adult” material from appearing in some searches and best seller lists. Since these lists are generated using sales ranks, adult materials must also be excluded from that feature.”

Just to be clear, the criteria for the “adult” material that they’re using is pretty damn sketchy:

But as an online petition points out the following publications remain on the sales ranking system:

-Playboy: The Complete Centerfolds by Chronicle Books (pictures of over 600 naked women)
–Rosemary Rogers’ Sweet Savage Love” (explicit heterosexual romance);
–Kathleen Woodiwiss’ The Wolf and the Dove (explicit heterosexual romance);
–Bertrice Smal’s Skye o’Malley which are all explicit heterosexual romances
–and Alan Moore’s Lost Girls (which is a very explicit sexual graphic novel)

while the following LGBT books have been removed:

–Radclyffe Hill’s classic novel about lesbians in Victorian times, The Well of Loneliness, and which contains not one sentence of sexual description;
–Mark R Probst’s YA novel The Filly about a young man in the wild West discovering that he’s gay (gay romance, no sex);
–Charlie Cochrane’s Lessons in Love (gay romance with no sex);
–The Dictionary of Homophobia: A Global History of Gay & Lesbian Experience, edited by Louis-George Tin (non-fiction, history and social issues);
–and Homophobia: A History by Bryan Fone (non-fiction, focus on history and the forms prejudice against homosexuality has taken over the years).

There’s already a push to google bomb them by creating the phrase “amazon rank” as a synonym for being censored in regards to queer and/or erotic material (with careful attention to inconsistent logic). It’s made at least one newspaper, a letter writing campaign, and there’s even an online petition.

Here’s the letter I wrote to their customer service:

To whom it may concern,

I am one of the many who was shocked and disappointed by Amazon’s recent decision to remove the sales rankings of certain books in order to keep them from showing up on most searches and bestseller lists. As I am sure many others have said, the criteria for “adult” that the company has chosen to apply is inconsistent and ill-thought-out. Regardless of intention, the result of this decision was to further marginalize already marginalized groups such as women and queer people while leaving the explicit material of privileged groups such as men and heterosexuals largely untouched.

I find this level of lack of foresight and competence in a company unacceptable. For a web-based company, the decision to change even one part of the fundamental structure of its website is something that needs to be undertaken with great caution, thought, and care. In this case, before anything was done those in charge needed to clearly define the criteria for labeling a product “adult”, doing everything possible to ensure that said definition was as internally consistent and free of bias as possible.

By focusing on queer books (regardless of actual explicit content) and erotica (a genre with primarily female authors) while leaving clearly explicit but more normalized versions of “adult” material intact, Amazon has created an image for itself as a company that supports homophobia and sexism. I may be only one person, but I am still part of Amazon’s “entire customer base” and I do not feel that Amazon took my interests into “consideration” at all when the decision was made to make it harder for me to find books on queer theory, DVDs about the queer experience, and depictions of romance and sex written by women for women.

Before this happened I had intended to make a sizable purchase of various books, DVDs, and games from your site, but I cannot in good conscience support your site while this policy is in effect. I hope that this decision will be rescinded quickly with a full public apology given to the authors whose sales you have hurt and the customers who you have inconvenienced, and that any further consideration into the separation of adult material from non-adult material will be undertaken with much more deliberation and care than was taken with the current policy.

Sincerely,
Andrea Rubenstein

Amazon’s doing this has, obviously, pissed me off. Even more so because, living in Japan, I don’t have easy access to the kinds of English books and DVDs that I consume on a regular basis and therefore was gearing up to do a major purchase so my dad could bring it to me when he comes to visit. Now I need to take my shopping elsewhere, which will create more hassle for me than working with a company that already has my information on file. But, really, when the decision comes down to hassle versus supporting a company that obviously disdains me and my interests I’ll take the former any day.

For those of you interested in knowing more, here’s a link farm.

Via Tamora Pierce.

Responsibility of comedy writers

tekanji

Although I had never heard of Graham Linehan before, he’s apparently a writer for some fairly popular UK comedies, including one called The IT Crowd.

Now, apparently there was a recent episode of that show that included a sub-plot involving a transwoman named April. The plot was basically that Douglas, the Asshole of the show, goes out on a date with her and during the date he propositions her. She seems reluctant and eventually tells him that she “used to be a man”, to which he says that it doesn’t matter and his offer still stands. Except, the twist is that he misheard her! He thought that she said she was “from Iran”; this leads to a physical fight where she throws the first punch but he ends it by throwing her through a glass window and the last the audience sees of her is her lying motionless in a pile of glass.

All this played up as comedy, mind you.

So, Graham has a blog and on this blog a commenter named Leanne pointed out to him that he isn’t writing in a vacuum and the kind of violence he used as humor has a real life correlation.

The first comment after hers? A guy telling her that she’s “oversensitive”. So far he’s been the only one and no flame wars have been started, so I suppose that’s something.

Graham’s response to her comment was as follows:

Thanks for the letter, Leanne. I’m sorry you didn’t like the show.

I don’t really feel the need to defend it further as it’s a very silly show, and not meant to be taken seriously. But thank you for remaining polite on a matter that obviously means a lot to you.

Ignoring all the other problems with the response, I find his claim that “it’s a very silly show, and not meant to be taken seriously” to be just another cry of “it’s just a television show!” that I’ve debunked in the past. Not only that, but framing it as an issue of being “taken seriously” or not completely misses the point. Just because people aren’t going to look at the show as something 100% true to life, it doesn’t mean that they won’t find truth in the themes.

Graham’s depiction of violence involving a transwoman that resulted from a sexual encounter where the man thought she was a ciswoman draws from real life situations which are prevalent enough that men who commit these violent acts defend themselves using something termed the trans panic defense. It is with this underlying theme that’s rooted in reality that Leanne was speaking to, rather than the “silly” comedy trappings of the final depiction.

In fact, I would go even further and argue that the humor of the scene is dependent on the audience, at least a little bit, sympathizing with Douglas*. While April is upfront about her past (and I do give Graham minor points for not making her “trick” him into having sex under “false pretenses”), it’s significant that she throws the first punch. By initiating the violence, it lessens Douglas’ fault in the assault and one could argue that it even goes so far as to justify said violence***. And, since the violence is played for laughs, the audience doesn’t have to actually think about sad/scary things like how the same kind of violence happens in real life but with tragic consequences.

Ultimately, Graham is right; he doesn’t have to defend his work. He can write whatever he wants to write as long as the networks are buying it. But I find it to be rather intellectually dishonest for him to use “it’s a very silly show, and not meant to be taken seriously” as an excuse to try and weasel out of the responsibility his writing, as part of a fairly popular television show, plays in not only shaping popular culture but also in reinforcing the beliefs of his audience.

* Darren, the commenter who called Leanne “oversensitive”, argued that it was Douglas who was meant to be the butt of the joke**. While this would seem to fit the way that the show treats Douglas’ character in general, it’s hard to agree that April “gave as good as she got and got the better of him in the end” when he threw her through a glass window and that was the end of it. Or am I missing a part where he actually faced some real consequences like jail time for assault (doubtful since she threw the first punch)? What about even some in-show criticism of his actions from the characters we’re supposed to see as sympathetic?

** Darren also argued that we were supposed to see Douglas’ actions/opinions as bigotry, but I don’t buy that as his views are fairly common. One might argue that those opinions are more extreme than that of the average person, but I’m not so sure. In my experience (which has been backed up by the various research I’ve done into trans* issues) most people I’ve talked to about transwomen believe that transwomen are, if not “men”, at least not fully “women”. In the case of the heterosexual men, most of them say that they would not only not date a transwoman, but if they slept with one and found out later that she was trans they would be “disgusted” and more than a few said that they would want to do violence to her. And, mind you, most of the people I have access to, while not anti-oppression activists, are left-leaning and at least try to be conscious about issues of oppression.

*** For evidence to back up my assertion, I cite Andrew’s comment, where he says, “Leeane – if you recall in the episode, April threw the first punch. She started it and so deserved everything she got.”

Feminists are fine with being bigots if it's just ableism

tekanji

This is a subject that’s been sticking in my craw for a long time now, ever since it became an issue on Iris’ forums over a year ago. It was from the conflicts that arose there that I realized that most feminists — even ones who are aware of intersections such as racism and homophobia — are steeped quite deeply (and happily) in their able-bodied privilege. A rundown of what happened on Iris’ forums can be found in my Ableism thread, but suffice it to say that it prompted me to create other posts to help promote a better understanding of ableism: Yes, it is offensive to the targeted group and Guides to using non-bigoted language.

However, I haven’t really talked about ableism on this blog or elsewhere. Except for sometimes linking the above threads to some of my LJ friends who have used “crazy” or “retard” or whatnot, I have generally avoided calling people out because, well, it’s harder to deal with people’s able-bodied privilege in another person’s space, especially because I am able-bodied myself.

But today I broke with that pattern. Jill of Feministe, a blogger I very much respect, used ableist slurs such as “crazy” and “nutbag” in a post about an anti-choice leader named Jill Stanek’s bizarre, inflammatory, and racist language. Since I respect Jill, and know that she understands that fighting bigotry with other kinds of bigotry is bad, I made the following comment:

I agree that what Stanek said was both ridiculous and vile, but the sheer number of times you casually threw around ableist slurs like “crazy” and “nutbag” really doesn’t sit right with me. Whether or not Stanek actually has a mental illness, it’s still not cool to use slurs degrading people with mental illnesses to attack her. I would recommend reading the quotes and visiting the links in this post: Yes, it is offensive to the targeted group

Jill replied graciously with, “Thanks for pointing that out, Tekanji. I will check that in the future.” However, the other replies I’ve received so far were not so encouraging.

A commenter named “ThickRedGlasses” quoted most of what I wrote and then added:

Are you confessing something here?

Although I’m not entirely sure what was meant by the comment, I am confident that it wasn’t an agreement or show of support, but more likely intended as an insult or a way to invalidate/discredit what I was saying.

“Dana” took the standard approach of denial:

Wow, that woman is insane. And yes, while I hate the word retarded I don’t see “crazy” or “insane” as ableist. Maybe I should, but I really don’t see people using “insane” or “nutbag” for that matter to insult people with actual mental illnesses. Whereas retard is a bloody hideous word that is used as a weapon against disabled people. That’s the difference in my head.

Her reply makes me wonder if she followed the link I gave, which specifically cites the people who are actually directly affected by ableist rhetoric explaining why slurs such as “crazy” and “nutbag” are, indeed, harmful to people with mental disabilities.

As of yet, no one else has directly responded to my comment. Maybe no one will. But commenters continue to attack Stanek by conflating her illogical and inflammatory arguments with being mentally ill (in addition to the words used in the original post, another commenter added “lunacy” to the mix). I have to say that the unwillingness of many feminists to address their privilege — especially when the type of privilege is not one usually discussed, even in feminist circles where intersectionality is valued — continues to disappoint me.

I believe in feminism. I respect the history of the movement and am grateful for all the hard work that feminists have, and continue to, put in to the struggle for equality.

But it’s getting harder and harder for me to identify and ally myself with feminism when so many feminists don’t fucking care about any oppression but their own. It’s not just all the casual ableism that hardly ever gets called out, or that feminists like Linda Hirshman get paid by well-known newspapers to revel in their privilege. It’s everything.

I feel like I spend more time trying to educate other feminists than anything else. How can I in good conscience continue to ally myself with people who are so fucking selfish that they are more than happy to let other groups get run over as long as their own issues are addressed?

Maybe it’s time to stop trying to work from the inside; maybe I need to just drop the “feminist” label and declare myself an anti-oppression activist and nothing else. It’s not an ideal solution, but it’s looking more and more to be the only acceptable one.

On RE5 and claims of "American-centricism"

tekanji

In this past week I’ve gotten an influx of commenters on my Resident Evil 5 posts decrying me and my posts as “American-centric”. I did consider writing a detailed post debunking this, but I’m very busy with school and there are better things to spend my time on than engaging with commenters who are trying to use the tools of anti-oppression activists to silence activism.

So, I’m going to make this brief and say it once, and once only.

Deconstructing something from an American perspective doesn’t automatically make it American-centric. Nor is it American-centric to work within a frame that happens to involve American history where American history is relevant.

That there are other racial issues with this game does not invalidate the fact that there are also issues that involve America. Picking certain issues that I find logically or emotionally relevant to the point I am trying to make is not the same as denying the existent of other, equally relevant, issues. That I don’t mention every single possible problem with Resident Evil 5 in every single post I make on the issue does not mean that I am not aware of other issues. Indeed, a simple search on this blog for “Resident Evil 5” would produce my link roundup which links to posts addressing those issues and more.

Lastly, while I do believe that there is a valid conversation to be had regarding American-centricism and RE5, that conversation is not to be had with people who are leaving comments with no other purpose than to try and silence me by labeling me a hypocrite. It doesn’t work with the “no, you’re racist for seeing race!” arguments, and it won’t work simply because you’ve changed the language into something that hasn’t already been debunked by a thousand other anti-oppression activists.

I don’t know where y’all are coming from, but your playtime on my blog is over.

Because the only women who matter are white ones

tekanji

Linda Hirshman — who, on top of thinking of herself as the matriarch of all women/feminists is responsible for making up the term “choice feminist” so she could have a convenient strawfeminist to attack — thinks she knows what’s causing division among feminists. And, unfortunately, what she sees isn’t people like her.

No, what Hirshman thinks is hurting feminism is any anti-oppression activism that acknowledges that gender is only one of the factors that affect women. Jill summarizes Hirshman’s argument as:

Linda seems to be arguing that feminism has lost focus by way of intersectionality — because we’re so busy looking at things like race and class, we’ve forgotten about women.

I can’t bring myself to quote Hirshman’s actual arguments because I feel like displaying such words from someone who calls herself, and is regarded as, a feminist would dirty this blog. If you can stomach long quotes full of racist, classist and other bigotry, Jill’s takedown is probably worth a read. I would say “definitely”, but I wasn’t able to read it myself because I got as far as the first paragraph of the first quote and had to leave the page. If you’re like me and can’t tackle this subject without the filter of someone else who has graciously read through the shit, I would highly recommend BfP’s post on the issue.

There are people trying so fucking hard to create a semblance of unity within a diverse movement and it’s people like her who get to be the well-known feminists. What. The. Fuck.

No, Ms. Hirshman. Just… no. Get off of my side because you’re making my side look like a bunch of bigots.

Good reference for the non-apology apology

tekanji

While discussing Clinton’s non-apology over the RFK incident Mark Liberman of Language Log references a post, Pete Rose and sorry statements of the third kind, by Geoff Pullman regarding the usage of the word “sorry”:

People aren’t being sufficiently sensitive to the grammar of the adjective sorry.

It should be clear that an apology has to be in the first person, and in the present tense. But it is not enough to utter something in thefirst person that has sorry as the head of an adjective　phrase predicative complement. The word sorry is used in　three ways.

First, sorry can be used with a complement having the form of what　The Cambridge Grammar　calls a content clause:
(1) I’m sorry that the the political situation in the Holy Land is still mired in violence, because I wanted to go to Bethlehem at Christmas.

If I utter (1), I am not apologizing; I have never caused or defended any of the violence in the Middle East. It’s not my fault. I just regret that the situation persists. This use can constitute an apology (as Jonathan Wright reminded me when he read the first version of this post), but only when the content clause subject is first person as well: I’m sorry I hit you is an apology, but I’m sorry you were hit is not, so watch for that subject.

Second, sorry can be used with a preposition phrase headed by for with a complement noun phrase denoting a sentient creature:
(2) I’m sorry for that poor little kitten, which seems to have figured out how to climb up a tree without having any idea how to get down.

If I utter (2), I am not apologizing; I never suggested to the stupid kitten that it should climb fifty feet up into a beech tree. I’m just expressing sympathy, as a fellow mammal, for its present plight.

And third, sorry can be used with a preposition phrase headed by for where the preposition has as its complement a subjectless gerund-participial clause or a noun phrase denoting an act:

(3) a. I’m sorry for doing what I did; I behaved like an utter pig, and you have a right to be angry.
(3) b. I’m sorry for my actions last night; I should never have acted that way and I want you to forgive me.

Only this third kind of use can constitute an apology, as opposed to a statement of regret about the truth of a proposition or a statement of sympathy for a fellow creature.

Liberman furthers the analysis when he looks at the “I’m sorry if…” syntax:

The “sorry if” pattern is a syntactic structure that Geoff didn’t include in his taxonomy. It might be a form of the conditional “If my referencing … was in any way offensive, (then) I’m sorry”, with the apodosis put in front of the protasis. Or maybe sorry has developed an if-complement, as in structures like “I wonder if …” or “I don’t know if … “.

In any case, from a communicative and emotional point of view, Senator Clinton’s sentence clearly belongs with Geoff’s sorry statements of the first kind. And in fact “If my remarks were in any way offensive, I’m sorry” is even weaker than “I’m sorry that my remarks were in any way offensive”, since it doesn’t even grant that it’s a fact that the remarks were in any way offensive.

We should also note that being sorry for causing offense is itself a rather weak form of sorriness, since it doesn’t necessarily imply being sorry for the actions or words that caused the offense. It’s perfectly appropriate to take a stance like “I’m sorry for offending you, but what I said was true and had to be said.” Senator Clinton didn’t go so far as to express regret for having referenced the RFK assassination, only for the fact that referencing it might have caused offense (and only, she feels, because it was misinterpreted).

Given how often non-privileged groups are subject to non-apology “apologies” after being subject to sexism, racism, and other oppressive behaviours (Harlan Ellison, anyone?), both Pullman’s and Liberman’s posts strike me as a useful resource for pointing out exactly why those so-called apologies fall so far short of the mark.