Liz at badgerbag is looking for information on the history of the feminist blogosphere.

Here’s what she’s looking for:

- When did you start finding feminist blogs?
- What were the first ones you became aware of?
- Which ones did you read, and how did you think of them? How would you describe the character of the blog, its evolution, and the evolution of your thought about it?
- Which feminist blogs are part of your regular, or sporadic, reading now?
- What were the top 10 , or top whatever, or most important, feminist blogs of 2005? What are the most important now?
- If you would like: what is a feminist blog? what makes it feminist?
- What issues are/were important on feminist blogs (and, if you can remember, when were they important)
- What controversies, surges of discussion, did you see begin/continue?
- How have feminist blogging and anti-racist blogging combined, enhanced each other, or not done well enough, in your view?
- How about forums, wikis, mailing lists?

You can answer there, via e-mail (see the original thread), or in the comments here. Liz and I are in touch on the matter, so anything you say will be used to great purpose. Great purpose, I say!

Anyway, please participate even if you consider yourself to be a feminist blogging newbie. The more data we have, the better of a picture we can form of how the blogosphere has grown and changed over the years.

Have you ever wanted to enter the field of gaming journalism, but didn’t have the time or the confidence in your writing skills to submit an article? Does the opportunity to interact with industry professionals appeal to you? If so, then consider becoming an interviewer for Cerise magazine!

What we’re looking for:

1. Enthusiastic people who want to conduct interviews with industry professionals and game-related bloggers by e-mail, phone, or other media.
2. Reliable people with enough time to conduct (at most) one interview a month.

NO EXPERIENCE NECESSARY! You will be working with an Interview Co-ordinator (right now that’s me) who will help you with the preparation and post-interview process.

While much of the co-ordinating will happen via e-mail, we recommend that you sign up for our forums. There, you fill find a number of resources that will help you form your interview strategy, including guidelines and suggestions for future interviews.

This is not currently a paying job, but it is excellent experience for anyone interested in journalism and/or the gaming industry.

If you have any questions, feel free to leave them in this thread, or alternatively contact me via e-mail. All those interested in the position, please e-mail me directly at andrea [at] theirisnetwork [dot] org.

When Jill linked to an article on “geisha guys” in a recent link roundup, I thought to myself, “I bet they’re talking about hosts. I mean, what would an article about Japan be without using Othering terminology to emphasize how Different! And! Exotic! it is.” And lo and behold, CNN’s Kyung Lah did not disappoint with the article, Japan’s ‘geisha guys’ the latest accessory.

Now, first off, hosts have been around for long enough that it’s just ridiculous to call them “the latest accessory”. What that really translates to is, “the latest thing that racist foreign media has picked up on to titillate their readership about that ‘wacky land of the rising sun’.”

Just in case you think that the “geisha guys” reference was an unfortunate choice of a copy-editor choosing a title or somesuch, observe this quote:

It’s a dizzying reversal of traditional gender roles in a country long known for geishas pampering male clients with conversation, singing and dancing. Now a new breed of entertainer has cropped up — think of them as male geishas.

Now, there are several things wrong in that one little quote that I don’t have the energy to get into. But to the assertion that we should “think of [hosts] as male geishas”, I say, “Let’s not.” Seriously. Hosts, like their hostess counterparts, are pretty much escorts. But I suppose that since escorts are available in most countries, using that comparison just doesn’t invoke the same “exotic Japanese sex worker” vibe that “geisha” does.

Whatever influences the sex work industry here may or may not have gotten from geisha culture doesn’t make it accurate, or a good idea, to conflate everything and anything under the header with geisha. It’s Othering. It’s fetishizing Japan. It’s racist. Full stop.

After one Starforce scare with Dreamfall (which worked out in my favor because Ubisoft dropped the malware due to consumer outcry), and two wastes of money (one due to SecuROM with Sims 2: Bon Voyage, which I’m going to see if I can ebay for at least part of my money back — I made the mistake of opening the box before checking the copy protection — and the other due to Starforce with Obscure, which I purchased several years ago and almost installed on my computer a few minutes ago) I am at the point where I’m not sure I can continue to be a consumer of PC games.

I am not a criminal.

I am not a pirate.

And yet, companies treat me as if I am. The onus falls on me to make sure that I am not buying malware from so-called legitimate companies, rather than on those companies — and some of the biggest offenders are corporations like EA and Sony — not to silently bundle increasingly invasive and harmful copy protection products with their games. Products, I might add, which always get cracked within a few weeks of their release.

Sure, with a very simple google search I could access step-by-step instructions on how to bypass the software. And you can bet your buttons that I looked into it when trying to figure out if I could salvage the 20 bucks I spent on Obscure. But, in the end, I don’t want to have to jump through hoops just to safely play my legitimately purchased game. I also don’t want to risk damage to my machine, seeing as maintaining gamer-quality computers takes a lot of money.

Which means that I will most likely no longer be making any PC gaming purchases, excepting those that use different approaches to copyright protection such as MMO’s and games such as Galactic Civilizations II. I love PC gaming, but it’s just not worth the hassle anymore. I feel like telling all those gaming companies, “Congratulations, assholes, with your bumbling and futile attempts to stop pirates you have just lost yourself a customer who — despite having the knowledge and ability to pirate — has been making a conscious and concerted effort to be a legitimate consumer.”

Oh well, at least I still have console games.

Now, I’ll be honest here. I think that Brian Crecente is an unprofessional misogynist who doesn’t have the writing skills to match his journalism education. Given his track record, I don’t think he’s fit to write articles, much less be put in charge of a majorly influential gaming news site.

Part of this is personal, seeing as he’s tried to take credit for the Iris Gaming Network that Revena and I founded, not to mention was the source of the misattribution of a quote by Guilded Lily to Iris/Cerise that has caused no end of misunderstandings. Oh, and I was none too thrilled that he felt that it was appropriate to allow commenters to make rape threats about the cover model for the first issue of Cerise, especially since the “model” was my friend who posed as a personal favour to me.

The other part of it is just my general aversion to misogyny, which he’s directly responsible for as the senior editor of the site (it’s his job to moderate both the posts by other editors and the comments by readers) and the fact that he thinks it’s appropriate to refuse removal of a dirty picture, posted without permission, at the request of the model. Really, it doesn’t take very much to earn a place on my “misogynist shit list”, but Crecente has really gone above and beyond the call of duty.

So, you can imagine my snort of disbelief when I was reading Nick Douglas’s article, I’m Not Offended, I’m Just Bored: Why Gaming Journalism Should Stop Treating Women Like Meat (via this month’s Gaming in the Media), and came across this quote:

Gawker Media’s gaming site Kotaku, says editor Brian Crecente, goes out of its way to stop boy’s-club coverage.

So, I follow the link to Feminist Gamers in the Gaming in the Media article (they express a similar disbelief that Kotaku is turning over a new leaf; they also link this article by Amanda Marcotte which is worth reading) and come across the following quote from this article by Crecente:

Wow, there are a lot of hateful women out there. Don’t get me wrong, I’m sure there are just as many hateful men out there too, but none of them have been given the space in large newspapers to spew their anger at video games and the men who play them, so I’ll limit my ire to them in this post.

The post generated comments such as:

if she wouldn’t be such a c*%t then maybe the child-men she’s hangin with would put down the controller and shag the hell outta that dried up ol prune. — ROYAL_HIGHNESS

Let me guess, last guy she met stood her up for a videogame? I would too lol — IRENICUS-THE ONE AND ONLY

My God I want to slap her in the face. — INTELSILVER

Way to “[go] out of [your] way to stop boy’s-club coverage”, Crecente and Kotaku! I don’t know what I’d do without men like you to champion women’s rights by never bringing up women’s gender when it’s completely irrelevant to the topic at hand, cracking down on threats of violence against women, and distinguishing yourself from other game journalist sites out there by refusing to make inappropriate references to women’s body parts in your titles!

Via In her memory: Batman #673:

Project Girl Wonder has led to a number of shout-outs in comics in the year and a half since it began. We’ve had Rip Hunter wonder “No Trophy = Stephanie?” on his board of time-travel conundrums. We’ve had Tim remark in his inner monologue that she never had a memorial in the cave. We’ve even seen a future Bat Cave in Action Comics with a Stephanie memorial in it.

Batman #673 means so, so much more than any of these. Because, in two panels, we were told everything that mattered: that inside Batman’s heart, Stephanie was Robin, the same as Dick and Jason and Tim — her gender made no difference at all to that. That her loss is felt as keenly as those other losses Batman has been shaped by.

In those two panels, in that one gesture of Batman contemplating the Robins he’s lost in front of the symbol of those losses, that line of suits in cases, the glass ceiling keeping girls out of the red and green and gold costume at Batman’s side finally cracked and fell.

All I can say is: about fucking time. Way to go Girl-Wonder.org and all of the people, in and out of the industry, who made this possible.

I think the video says it all. But, if not, then go read this deconstruction of the site being advertised: Chickipedia. For Guys That Never Get Laid.

On the over-the-top offensiveness of God Hand (the game the above clip comes from), pat of Token Minorities says:

I don’t think this is accidental. I think this says something about us, as the kinds of people who enjoyed and got used to playing games like Final Fight, where we fed the machine quarters and yelled “Oh yeah?! I’m going to beat your ass!” during every boss fight and punched punk stripper transsexuals all day and didn’t give a fuck. God Hand is laughing at you because you love it, because it has translated all the gendered and racialized images of our games of yesteryear into actual goddamn dialogue and you still don’t really notice it. It’s bringing us back to the Old School, complete with everything that was kind of messed up about the Old School, and so I propose that perhaps God Hand’s inclusion of blatantly Bad Things is actually so pronounced and over-the-top that it actually has a point, a thought-provoking point, and not merely gratuitous, sensational stupidity. Maybe it’s gotten a few people to idly ponder the games they played when they were young, and what they learned from it. It’s messed up, but it’s closer to the Chappelle’s Show end of the spectrum (thought-provoking and possibly educational) than Indigo Prophecy (which is basically ignorant) or Border Patrol (which is actively messed up).

I’m not sure that I agree with him (and would have to play the game to fully form an opinion), but it’s something to think about.

I just realized that I forgot to plug myself here. Via my other blog, The Life and Times of a Video Game Design Student, I was contacted to do a piece for Game Career Guide which is now up for viewing here: My Search for a Japanese Game School.

The backstory: Assassin’s Creed is one of the most anticipated games of the year. When Yahoo! is talking about your game on the front-page, you know the buzz is pretty significant. The producer for this game is Jade Raymond who, like the lead-producer of every other game created in the modern age, gives a good portion of the interviews with the press. That is, if you’re a producer of a game and you’re noticeably articulate, you’re the one talking about it, you don’t tell the advertising executive or the intern to do that. As the game is being released, a comic/drawing surfaces, most infamously on the Something Awful forums depicting Jade performing fellatio on male fanboys (not to be confused with the photoshopped nude photos of Jade that are floating around). This comic is seen and shared by members of the SA forums at which point Richard “Lowtax” Kyanka of SA receives a cease and desist/threat of lawsuit letter from the legal representation of Ubisoft telling them to shut it all down and to let them know everything about where they get the image, who drew it, etc. At this point, the story becomes popular outside of SA and other blogs start picking it up, forming their own opinions (yes, just like me and just like this one). The story appears on digg and with it a rash of the most sexist comments (and some countering the sexist comments) appear.

Read the rest…

So, a bunch of thoughts have been percolating in my mind since the last discussion on cultural appropriation. Specifically pertaining to two discussions about costumes.

The first comes from one brown woman of woman of (an)other color blog: Halloween: Day of Dead, Day of Red.

The second costume I want to talk about is one that I seem to have seen a lot on websites and over the weekend: the Pocahontas/ stereotypical Native American costume. With regards to the argument “Pochontas is from Disney and I was dressing up as a Disney character” my response is that Disney has racially problematic representations of individuals and helps to perpetuate many stereotypes about particular groups of people. So hiding behind Disney isn’t really going to help justify your costume.

And then from Sara of Sara Speaking: costume appropriation

Since she’s covered in blue paint I can’t say with certainty that this is an example of white privilege, but I definitely think it falls under a more generalised Western privilege, that is, the privilege that says we can pick and choose from the cultures and religions of these other peoples of the world without regard for how the practitioners of those religions and inhabitants of those cultures feel about that appropriation.

All of which furthered my thinking on cosplay, art, and the fine line between homage and appropriation.

And it is with that in mind that I want to talk about cake.

“Cake?!” you say, unable to fathom what my sweet tooth has to do with discussions of cultural appropriation. Yes, dear readers, I want to talk about cake, and I promise to you that it is very relevant to this discussion. Pictures and discussion after the cut.

Read the rest…

bellatrys has written up an analysis of Labyrinth on her LJ: “I ask for so little–”.

It is a rather long piece that weaves in many different elements — everything from an examination of the tropes and themes of the movie to tying the lack of success of the manga-esque spin-off with the lack of success in Jodi Picoult’s run on Wonder Woman — but it is very much worth a read. Labyrinth has been a major influence in my writing since I was a little girl. bellatrys’ piece has definitely given me a lot to think about — not only about the movie but about my own writing as well.

Here’s an excerpt:

Labyrinth, thus, was for me a dim memory of a frustrating disappointment, more frustrating still because of the greater potential I saw in it (being a fan of Henson’s Storyteller series as well as The Dark Crystal as well as owner of a great many quality illustrated fairy and folk tales, with ambitions of someday being the next Kinuko Craft or Trina Schart Hyman (alas) in those days) that was not met by the reality of the film. –Though not, to be sure, as great a disappointment as the grotesque animated version of MacDonald’s The Princess and the Goblin of a few years back. (DON’T Netflix it, there is not enough Bleeprin in the world.) –Also, an occasional random snatch of “You Remind Me Of The Babe” interjecting itself into my mental tape track shuffle.)

And thus it remained until a couple of years and jobs ago, when it suddenly was revealed to me that despite the widespread media impression of it as a basically unknown and unloved film, one that had been disappointing for the studio as well, after the unexpected critical praise and cult status of Dark Crystal, it had a strong and dedicated and above all, young cult following - and they were all twenty-something girls, who had become rabid David Bowie fans, who could (and did) quote lines from the film and “do the voices” too, when appropriate, the way that most of my fellow Gen-Xers and the Gen-Yers of my acquaintance would break into either Star Wars, Holy Grail, or (belatedly) Princess Bride repertoire at the drop of a hat (or an unladen swallow.)

This piqued my curiosity - clearly there was something there, after all - but not enough for me to go buy a copy of Labyrinth or to try to figure it out. Of the three younger women in the office who were all votaries, one was a Sandman-collecting fellow geek whose SO was also hardcore fannish geek, one was a sort of demi-geek, a little bit into skiffy but mostly into horror, and the third was not fen at all that I ever discovered. They were just all old enough to have not only seen it but to have imprinted on it when it was released on video, and to have worn out their video tapes of it - that seemed to me to be the common factor.

All text from the Pretty Bird Woman House blog.

In May of this year, the progressive netroots pulled together to save a tiny women’s shelter on a Lakota Sioux reservation in South Dakota. Thanks to over 680 strangers who donated a combined $27,000, Pretty Bird Woman House was able to keep its doors open for the duration and provide emergency shelter for 188 women and 132 children.

But just last month thieves broke into Pretty Bird Woman House - literally smashing holes through the walls. They stole the computers, teh television, clothing, toiletries - all donated. Then arsonists set fire to the building.

Pretty Bird Woman House remains open, without a house, in an unheated, donated office. The tribal council has done all it can afford to do. Without a house, this sanctuary will die.

Pretty Bird Woman House needs another netroots miracle to survive. There is so much in the world we are powerless over. For Pretty Bird Woman House you can make a difference, make the world a better place, right here, right now, today.

Read the rest…

Dove and Axe — which send diametrically opposed messages about women to their target audiences — are both made by Unilever. This video juxtaposes the two campaigns in order to raise awareness of the connection between the two.

Via The Hathor Legacy.

So, ABW wrote a post about NPR and their apparent lack of diversity and NPR responded. While I know that ABW is planning on discussing her own response, I read over the letter and was pretty much floored that a company that purports to need pledge money to survive would allow such a letter to be sent. It was certainly not the worst response to criticism that I’ve ever seen, but it definitely wasn’t the best.

Now, I’m sure most of you are going to be like, “What the heck is tekanji talking about?” (you have read the letter, right?) because there’s nothing obviously unprofessional about it, and in fact it does include a lot of important and valid information in it. But if you hear me out and read the rest of this post, hopefully you’ll be able to see why I think that the letter was more unprofessional than it first appears.

The letter started out really good by answering the challenge with an upbeat and positive, “Look at all the great people we already have!” response. I was reading along, nodding my head, and overall feeling positive about the response. Then I hit the second paragraph.

The tone takes a sharp turn with the opening sentence [emphasis mine]:

Your assumptions about our staff diversity are incorrect. In the last seven years, NPR News alone has more than doubled its staff of people of color – by 106%. That includes 118% increase specifically in on-air diversity staff, 116% in editorial and 92% in production. Currently, the combined diversity staffing in these three areas represents 22 percent of our total news positions.

Was it necessary to say “[y]our assumptions… are incorrect”? It takes her positive and turns it into a negative — instead of focusing on what NPR is doing right, it focuses on what ABW said that was wrong. And, while I can’t speak for ABW, I can’t imagine how that’s a tactic that’s going to make her, or anyone who admires her, think, “Gee, look how swell NPR is, they really do deserve my money!”

In fact, that whole paragraph would have had a lot more impact if it had kept up the positive throughout. If I were to rewrite it, I’d probably go with something along the lines of:

I definitely agree with you that visible diversity in companies like ours is very important. Which is why I’d like to take some time to address the part of your post where you said “I suspect that, if one were to check, 90% of the reporters would be not-black. If we include all PoC in the count, then NPR is probably 75% white.” In the last seven years, NPR News alone has more than doubled its staff of people of color – by 106%.

It starts out by acknowledging the point that was behind ABW’s claim — that visible diversity is important, and that when diversity isn’t visible that it creates the feeling that the viewpoints of POC aren’t properly represented. Then it further acknowledges what she said as important, by emphasizing that the point is important enough to get its own paragraph. All of that primes the reader to be in a positive frame of mind and therefore the following information is seen as a helpful clarification, rather than a grown-up way of saying, “so there!”

The problem continues with the beginning of the next paragraph:

Finally, your description of News & Notes does a disservice to both the program and the African American Public Radio Consortium, the dedicated group of stations that co-created it with NPR.

Again we have the same problem of the negative focus on what ABW is doing/saying in terms of it being wrong instead of focusing on what NPR is doing right. And, I might be alone in this, but the whole, “you’re doing a disservice to these black organizations” kind of reads as the, “you are making other black people look bad” which, as an argument style, tends to put the blame on black people for being discriminated against, rather than on the systems that are allowing/encouraging the discriminating.

Personally, I think the entire letter would be stronger without that paragraph, because the whole paragraph looks like a vendetta against Tavis Smiley the way that it’s worded. Also, it takes the focus off of the positive things that NPR has done and puts it squarely on the negative side, both with what was said to ABW as well as the accusations made against Smiley (which, whether they’re true are not, are certainly not appropriate to discuss in this venue).

The next paragraph is generally a good one, as it’s about acknowledging that there’s room for improvement, but it reads as kind of cold and antiseptic. My suggestion here, then, would have been to have directly engaged with the underlying message of the post. Talking about the generalities of improvement does nothing to reassure ABW, or her readers, that their concerns, in particular, are being addressed. But doing something such as acknowledging that one of the ways that NPR could improve would be to be more clear and transparent about their current diversity and continuing efforts to improve it, so that listeners like ABW could feel more represented in the future, would have really helped to make a connection.

The last paragraph would need a complete overhaul. It comes across to me as if it’s rubbing it in ABW’s face how wrong she was about the diversity issue and how she should be ashamed of herself. The whole tone is so blatantly passive-aggressive (I mean, come on: “I know how hard they work to bring different perspectives to journalism and I would appreciate them being recognized for their efforts.”? Guilt trips are not high on the “ways to treat your consumers to make them want to give you money” list) and it completely undermines all of the positive points that were made earlier in the piece.

All in all, I have to say that I’m disappointed in NPR. I’m disappointed that they would let such a letter be sent, and I’m disappointed that they made activism look like some sort of petty contest (where there are people who do it “right”, ie. NPR, and people who do it “wrong”, ie. ABW). I’m not a business major, and I have very little practical experience in this area, but even I can see that sending such a letter to someone who is clearly a listener who thinks about donating is bad for business.

I, myself, do not particularly listen to NPR but I have family members who do. And you’d better believe that I’m directing them to ABW’s post, then this one, and then letting them know that NPR may be committed to “diversity” but it sure as hell isn’t committed to treating its listeners, and their concerns, with respect.

From Nintendo’s women gamers could transform market:

Japanese women have overtaken their male counterparts to become the biggest users of Nintendo’s Wii and DS machines in a seismic shift that the company said would “transform the video games industry”.

This is tekanji’s total lack of surprise.

I see more women playing with their DS on the train then men. The genres that are aimed at women aren’t confined to crappy “girl games” (which in America all too often equal “simple because teh wimmins brains can’t handle real games”). Women game here, and they are much more recognized for the thriving market that they are.

Anyway, the article is worth a read, even though it ventures into bingo territory a few times.

So, the Angry Black Woman posts about an experience she had with a troll who, when banned, continued to harass her. The post itself is worth a read, but (oh so predictably) another troll shows up in her comments to start telling her how bad and wrong she was for informing the guy’s company of his actions online.

Now, I’m not here to talk about that, but rather to highlight two of the comments that came out of it because I think that they make very important points about the kind of harassment that occurs on anti-oppression blogs and why it’s important to not lie down and accept it in the name of “free speech” or “tolerance” that shouldn’t be just a footnote of another post.

The first one is by Nora about the difference between a normal troll and the racist, sexist, etc trolls that come to harass us:

Here is the crux of the issue: I just don’t think that initiating arguments with a troll is actually helping the social problems-
Wait, wait, wait. ABW does not go to these people’s blogs and make anti-racism speeches. They come here and start shit. So please remember — she’s not “initiating arguments” by any means.

The thing you need to remember is that this blog does not operate in a vacuum. Look at the links along the right side sometime. ABW is part of a vast and growing network of anti-sexism, anti-racism, anti-other-oppression blog sites, and she’s only the latest in a long line of textual crusaders. There have been many others since the internet was popularized. Quite a few of the pioneering sites have died — enough that we’ve learned a few things about the tactics of racists on the ‘net. For example,
a) Racists are not ordinary trollers, any more than stalkers are ordinary annoyances. Racists aren’t just out to have some fun by pissing people off; harassment is not an end in itself for them. They’re trying to disempower others, using harassment as a weapon. This distinction is important, because it gives them great incentive to persist long past the time when a troll would’ve gotten bored and moved on.
b) Like harassment, persistence is also a racist weapon. Racists do not go away. When they realize they have free reign, they usually take encouragement from the silence. There are never as many of them as they want you to believe, but to make up for their small numbers, they never shut the fuck up.

c) Racists act out of fear. They fear the loss of their power; some fear the loss of their “racial purity”, some just fear change. Regardless, frightened people are irrational people, and irrational people are dangerous. Would you ignore an irrational person who was coming after you over and over again, and getting worse each time? I don’t care how Zen you are; that’s not smart.
d) All this has the side-effect of silencing the non-racists, who get tired/frightened by the ugliness.
And of course, d) is what kills blogs.

Then there’s ABW’s response, which talks about why taking steps to stop harassment is, you know, a good thing not a bad one:

One of the things we learn as children is that actions have consequences. the fewer consequences a child is subjected to in their early years, the more they get the impression that they can do whatever they want. Same works for adults. If a person spends their day being a racist troll and nothing comes of it, they learn that being a racist troll has no consequences and continue doing so. For minor trolls, the mere act of banning them is consequence enough. They go “Oh, no one likes it when I do that. Ah well, I’ll go away.” Hopefully they go away to be a better person, but my instinct says they go away to be a racist troll somewhere else. If so, my hope is that others will ban them and, finally, the consequences will mount up and either change that behavior or drive them into a small hole where they have no one to talk to but other racist assholes.

The bigger the entitlement, the harsher consequences must be. The guy who replied to my banning him with “I’ll just keep trying to harass her until I get to do it again” was obviously in need of harsher consequences. because he believed it was his right to continue being an asshole on my blog. Well, it wasn’t. This is why I took things to another level. not because I enjoy calling people’s workplaces and informing on them, but because otherwise, they won’t get the message that what they are doing is not okay. Consequences are important.
Sometimes the mere threat of consequences is enough to make people realize where they are in the wrong. or, at least, get them to back off. Michael sent me a note very soon after this post went up to say that he would not darken our doorstep again. He tried his own version of consequences by implying that I had threatened to expose his name and daughter’s name and address publicly (which I did not). He wanted me to take this post down. Maybe he was afraid his employers would see it. He was definitely afraid of me going to his HR department, that was clear.
In the end, I didn’t have to do any such thing. I just had to let him know that I meant business. Hopefully this post will serve as a similar deterrent to others. Now that they know the consequences, they won’t be so quick to think “I can just keep on doing what I’m doing.” That’s the problem with Internet trolling. people think they can do it without any consequences. I’m here to say: you can’t.

Not Michael, this may offend your Zen sensibilities and I’m sorry for that. But it’s not as if I’ve actually physically hurt someone here. Also, even MLK and Ghandi brought consequences. they didn’t just stand around and yell that they wanted equal rights or a free India. they *did* something about it. that something was not war, that something was not physically fighting, but that something was NOT just turning the other cheek. It was refusing to meet violence with violence but instead with protecting one’s self and showing the futility of violence.
I could respond to trolls by just being nasty back at them and that would be the equivalent of meeting violence with violence. Instead, I show them the consequences of their actions. for MLK, it was to bring hundreds or thousands of people to the government’s workplace and to show them that injustice would NOT be met with silence and would NOT be patiently endured. That they were prepared to take action 9though that action would not have been violent). I’m doing the same (though not comparing myself to MLK or anything). Harassment will NOT be met with silence. I won’t come to your house and beat you up or anything, but I will use the resources available to me.

If you’re expecting some deep and thoughtful commentary, I’ll have to disappoint. I’m still technically on blog break. But, really, I think the comments above speak for themselves. Harassment is not okay, and cyberstalking — what Micheal was starting to do — is a crime, people. You don’t have the right to systematically harass another human being, whether offline or on. One would think that this would be common sense, but the 84 responses that the original thread has gotten would say otherwise.

So, in summary, stay in school and don’t harass people because there will one day be consequences that you probably won’t like.

Yesterday I took my entrance exams for HAL, a famous technical school in Japan, and got in. Starting April I will officially be studying video game design and planning for the next four years.

I took a tour yesterday and the school looks really, really awesome and the guy who’s in charge of coordinating the international students was really, really nice and I’m so happy that I got in that I could die.

So, anyway, yeah, that’s one huge worry lifted of my shoulders. Now I get to worry about finding an apartment, changing my visa over, and getting all my ducks in a row.

ETA: I’ve put up a blog on Iris where I’ll be talking more about this: The Life and Times of a Video Game Design Student

Doubtless many of you have heard (from Kotaku or other sources) about Shanda Entertainment, a Chinese MMO publisher, requiring photographic proof of a person’s sex in order to allow them to play a female avatar.

This information is most likely false! Joystiq has done some digging into the issue and turned this up:

The source of story in the English-speaking world seems to be a painfully short, two sentence “editorial summary” on Asian business site Pacific Epoch. Besides containing scant details or supporting information on Shanda’s policy, the summary contains the eyebrow-raising assertion that players with female avatars would have to “prove their biological sex with a webcam.” While this isn’t impossible, we find it hard to believe that a publicly traded company would start encouraging its customers to send in pictures of their naughty bits for any reason. Besides being ineffective (what’s to stop a player from sending in a picture of someone else?) the system seems overly complicated when a National ID card number could easily provide proof of gender (much as it already does for age confirmation in other MMOs).

Pacific Epoch cites popular Chinese MMO web site 17173 as the source of its information, and while we couldn’t find the original article on their site, we did find a story about some obviously fake Halo 3 branded condoms, which 17173 presented as fact. Combine the questionable editorial judgment with the translation problems inherent in citing information from a Chinese site and you have a perfect recipe for an erroneous story to spread across the internet.

The moral of the story? Just because something looks official doesn’t mean that it actually is. Especially regarding areas in which there are language barriers where we can’t easily verify the source of the information ourselves.

Since today’s my long day at school, for day four of International Blog Against Racism Week I’m going to do a link roundup of some of the discussion that’s been going on about Resident Evil 5. The primary reason for doing this, of course, is that link roundups don’t take that much time so I can write it in the morning before school and set it to post when it’s the right day in the US. But I also think it’s valuable to see the various different points of the critiques in the same place.

In posting this roundup, I hope to make it easier for fans to see beyond the knee-jerk reactions to the word “racist” (and the implication that race-based critique of a game is implying that the game is racist) and actually understand what the concrete problems with the trailer, and by extension the game, are.

Please note: the following links are listed in order of which link I saw first.

Resident Evil 5 at Iris Gaming Forums, comment by Nashiko:

Now, don’t get me wrong, I love a good zombie game, but I found it a little strange that not only was RE4 a game full of Spanish cultists who where deemed as inhuman, but it was also the first RE game that had what I like to call the “super zombies”. Not the placid, growling, stumbling undead that we all knew and loved from RE 1 and 2, no, supper zombies. Crazily violent and able to speak. A little more humanized than I care to have my zombies.

On Race in Resident Evil 5 at Heroine Sheik:

Instead of battling zombies in an abandoned house or even in Spain, players will be now be blowing the heads off of the living dead in an African village. That’s right, we’re talking about black zombies. What’s more, you play a commando character who is white whity-ity white. Jesus, I couldn’t even make this stuff up. Even if we don’t play the racism card, there’s a whole mess of issues here: monsters and otherness, the paranormal as a manifestation of our anxiety about real-life conflicts like race.

Resident Evil 5 at Black Looks:

The new Resident Evil video game depicts a white man in what appears to be Africa killing Black people. The Black people are supposed to be zombies and the white man’s job is to destroy them and save humanity. “I have a job to do and I’m gonna see it through.”

This is problematic on so many levels, including the depiction of Black people as inhuman savages, the killing of Black people by a white man in military clothing, and the fact that this video game is marketed to children and young adults. Start them young… fearing, hating, and destroying Black people.

Resident Evil 5: White Man Shoots Black Zombies at The Village Voice:

Plenty of Resident Evil fanboys are standing up for the game by claiming that Africa is just a setting like any other. After all, why shouldn’t zombies be black? On one level, that’s true.

But looking again at the trailer, I see a different message: it’s not just that these zombies are black, but that the uninfected black villagers are zombie-like too. See all those spooky shots of the villagers before they get infected? It’s as if race itself were a disease. The white protagonist has to fight back or be infected.

Blackface Goes HD? The Case of Resident Evil 5